|Not just about prison rape|
In fact, British prison themes have been used fairly frequently; it’s just that their Hollywood counterparts seem to hog the limelight of popular consciousness. That is a shame because there is so little knowledge of our prison system among the general public, or at least those who have no personal or family experience of imprisonment.
|And dad's gone prison gay|
Personally, I do blame both Scum and The Shawshank Redemption for fuelling male fears of gang rape that terrify so many first-timers as they head from court towards the prison gates locked in the tiny cubicles of GEOAmey transport vehicles. Even Starred Up required the obligatory enforced public nudity followed by a violent scrap in the showers, topped off by O’Connell’s character realising that his own dad has gone 'prison gay’. Is it any wonder that many first-timers are scared shitless as they stagger double handcuffed down the sweatbox steps towards Reception?
|Less brutal than Scum|
Of course, there are other British prison movies available. Bronson (2008), starring Tom Hardy, focuses on the human freak show presented by the rather pitiful character of Charlie Bronson (now renamed Salvador), widely billed as “the most violent prisoner in Britain” by the tabloids. Although utterly unrepresentative of life behind bars, the film does perhaps shine a light on the terrible impact of years of solitary confinement on an individual who evidently suffers from serious mental illness, as well as the Prison Service’s inability to manage unstable or dangerous inmates with any real degree of humanity.
There are much worthier – and more insightful – UK prison films out there. Two that don’t often seem to figure in anyone’s top ten are The Escapist (2008) which stars Brian Cox as lifer Frank Perry who is planning to escape in order to rescue his drug addicted daughter. I won’t spoil it by revealing the plot for the benefit of those who haven’t yet seen the film, but it does highlight the widespread prevalence of gambling in the nick on anything and everything – something that seems to be rarely touched upon in most British prison movies.
|John Simm in Everyday|
I didn’t get to see Everyday when it was broadcast by Channel 4 because I was banged up inside myself when it premiered. In some ways I’m glad I waited until I had been released before watching it. Although it lacks the brutal violence and high drama of Bronson, Scum or Starred Up, I commend the film for its gritty portrayal of wasted life and lost time which almost all prisoners experience during their period in custody. In many ways it does give a more authentic impression than most similar productions.
|On hunger strike in prison|
Although I must confess to a certain guilty pleasure in watching prison films, despite having experienced incarceration at first hand myself, I do find there is a temptation to try to spot inaccuracies and improbabilities in the portrayal of life inside. While some aspects of Starred Up seemed authentic, there were also a few implausible situations, presumably introduced to develop the dramatic tension. I often wonder whether any of these productions could be improved by having an ex-con on the team as a reality consultant.
The very fact that British prison films continue to be released every couple of years does indicate that there is still a popular appetite for jail-themed movies and television dramas. Most soaps now seem to include an obligatory prison sub-plot in which a key character gets banged-up for a few episodes.
However, what is almost always lacking is a realistic insight into the sheer boredom, humiliation, fear and grubby drudgery of real life in prison for the thousands of men, women and children who live through it day after day, year after year. Vast, overcrowded human warehouses where rehabilitation is non-existent, but substance abuse, debt, self-harm, neglect and even suicide are all part of the picture. Now that really would be a challenging artistic project to sell.